The hosts argue that YouTube-born creators are beating legacy studios by making lower-budget, audience-native horror films that spread through existing fanbases. They use Backrooms and Obsession as examples, contrasting their performance with Disney’s expensive Star Wars reboot and framing the trend as a storytelling and distribution shift away from corporate Hollywood.
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This segment is a broad discussion of how internet creators are turning memes and YouTube shorts into theatrical films, and how that is humiliating legacy studios in the process. The hosts focus most on Backrooms, describing it as a meme-based horror movie directed by 20-year-old Kane Parsons and saying it was made for about $10 million while opening to roughly $17 million and heading toward a much larger box office. They also discuss Obsession, a horror film by another young YouTube creator, Curry Barker, which they say was made for $750,000 and has grossed $74 million over two weeks. …
Near term, the tradeable read is that creator-led horror is getting attention and may keep outperforming on fan enthusiasm, while big studio tentpoles remain vulnerable to soft legs if audience sentiment is weak.
Over the next few months, the setup favors more evidence of a creator-IP pipeline if these films keep converting online fame into box office; otherwise this remains a selective genre phenomenon rather than a broad regime change.
Long term, the structural implication is that audience ownership may matter more than studio scale: creators who control distribution, fandom, and IP can increasingly compete with legacy entertainment brands.
Backrooms is a meme-originated movie by a 20-year-old YouTube creator that was made on a small budget and still opened strongly at the box office.
The hosts explicitly tie the film to meme culture, youth, low budget, and opening-weekend success.
Obsession is another low-budget film from a young YouTube creator that has grossed far more than its cost suggests possible.
They say it was made for $750,000 and grossed $74 million over two weeks.
Disney’s Star Wars reboot is being portrayed as an expensive failure compared with the creator-led horror titles.
They contrast Disney’s spending and weak performance with the indie films' outcomes.
A meme becomes a movie - a 20-year-old directs it on a small budget - how much did it do opening weekend?
Back Rooms was made for $10 million and did $117 million opening weekend.
What movie did you guys watch?
They watched a movie called Sheep Detectives starring Elton, which the speaker describes as a phenomenal movie.
Was Back Rooms scary? Were you ever scared or shiver?
The speaker says absolutely, he screamed, and describes the music and soundtrack as amazing. He explains the plot involves a furniture store owner finding a wall that goes into another dimension, and calls it a mix of Inception and The Matrix.
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